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“We kind of feel like that’s the pinnacle of reality TV,” Olen says of the Big Brother moment.

For Olen, what Pollard first did on television paved the way for the genre to delve into performance art, much like the iterations of Bravo’s Real Housewives franchise.

Images of Pollard have enjoyed a long relevance,” writes St.

Félix of the memes, which she says are “now varied enough to make up something like a language.” For Michael Tague, a New York City communications manager whose Pollard appreciation tweet went viral last month, Pollard isn’t just a meme, she’s the “meme queen” — a throne she assumed by virtue of being herself.“Meme culture is kind of about having extreme reactions to everyday things, or it’s about showing that you’ve found a way to capture a feeling in a way that no one else has been able to capture it, and she is that person,” said Tague.“She has these extreme, outsized reactions that are really fun and interesting to watch, and no one really speaks or thinks the way that she does,” Tague said.

There’s also a normal life.”“Because we can’t just be religion, religion, religion,” Patterson says.

The fame she garnered didn’t achieve the lasting level of household infamy in white America as other reality villains like Omarosa Manigault or Simon Cowell.

She’s most famous now in GIF form — years of television appearances boiled down to one-second reaction shots that belie the complexity of the woman within them.

Her hands clasped, rose sunglasses on, she’s alone.

Her face is expressionless — yet, she somehow expresses everything you need her to.

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