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This is about accusations and guilt, and how far faith can be tested. The nakedness of expression is moving, and Maria Falconetti is an amazing Joan of Arc, with wide eyes, brimming with despair or blazing with religious conviction.She changes from vulnerability to insanity in a moment.An introvert, indifferent woman joins a high school as a student teacher, under supervision of a shameless, nymphomaniac man who is a year younger than her. See full summary » At his ex's wedding, brokenhearted Jung-hoon meets Si-hoo, a woman who's boyfriend has just dumped her.
I’m going to kick this off in best New-Wave style by pointing out that we should be praising each great director’s body of work rather than showcasing favourite movies in a list format; after all, France came up with the concept of the auteur filmmaker, stamping their personality on a film, using the camera to portray their version of the world. So here’s a highly personal choice, arranged in chronological order, of 25 of the most individualistic French films.
And that was one of the reasons why this movie just didn't really rise above mediocrity for me.
But worse of all was the ending; that really was the drop that ultimately kept the movie in the mediocre soup.
There are no stirring battle scenes, no looking great on horseback or wearing of beautiful armour in this version of the story of Joan of Arc.
Carl Theodor Dreyer’s film concentrates entirely on the trial for heresy that sent Joan to the stake.